Cities of dreams Turning a vision into a
city demands an iron will. Peter the Great created
his showplace, but the human cost was heavy
By Nancy Shute Bathed In pale northern
light, the city appears ethereal, its palaces
shimmering in pale shades of green, yellow, and
pink, and the slim golden spires of the Admiralty
and the Cathedral of St. Peter and St. Paul piercing
the mist. It's easy to see why St. Petersburg
inspired many of the world's finest artists:
Dostoevsky and Gogol, Nijinsky and Nureyev, Pushkin
and Akhmatova, Stravinsky and Tchaikovsky. Its
unlikely beginnings make the sight all the more
poignant.
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Three hundred years ago, this was a
place where no sane person would have wanted to
live. The marsh lay just off the icy, storm-blasted
Gulf of Finland, and what little firm ground there
was disappeared regularly beneath the floods. The
nearest approximation of civilization was hundreds
of miles away. Yet it was here that Peter the Great
chose to build his "darling," his
"paradise," the imperial city that for
three centuries has embodied the soul of Russia.
What lifted St. Petersburg from the swamps was
countless loads of fill, pilings of oak, the
sufferings of hundreds of thousands of workers--and
Peter's vast energy and intellect. Today the
city, crumbling after decades of Soviet inattention,
could use some of Peter's drive if not his
ruthlessness.
In the late 17th century, Russia
was a vast, rich country that lacked a major
seaport. Archangel, on an arm of the Arctic Ocean
called the White Sea, was too far north to be truly
useful--iced in for six months of the year. But
Peter wanted a window on the West for reasons that
went beyond the practical. As a boy, he had been
fascinated by tales of seafarers and faraway lands.
In his teens, he neglected his princely duties to
learn sailing and boat building, and in his early
20s he traveled to Holland and England to study the
shipwright's trade. His country was suspicious
of outsiders, even requiring foreigners in Moscow to
live in special "colonies." But Peter was
fascinated with these strangers and spent many days
talking with residents of Moscow's German
Colony about the new ideas and inventions sweeping
17th-century Europe.
Peter, who stood over 6 foot
6 and couldn't sit still for more than two
minutes, put all his strength into acquiring a
seaport. He first tried wresting a piece of the
Black Sea coast from the Turks. When that plan
failed, his eye lighted on the swampy Baltic coast.
The area lies at the same latitude as the upper
shores of Canada's Hudson Bay, but the waters
are ice free for much of the year, and the site
controlled access to the Russian interior via the
Neva River. The Swedes had held that ground for
almost a century. But in 1703 Charles, the brilliant
young Swedish king, made a fateful miscalculation,
treating Peter's new interest in the region as
a minor threat. Moving south from Lake Ladoga, the
Russian Army captured the last Swedish outpost on
the Neva in early 1703. On May 16, Peter ordered the
construction of a fortress on Hare Island, one of
dozens in the Neva delta.
The work was wretched.
To build the low-lying island above the tidal reach,
men had to scrape up dirt elsewhere, digging with
only their hands and carrying it in their shirts.
But within five months, a hexagonal fort of earth
and timber, crowned by cannons, guarded the river.
Peter lived in a one-story log house just outside
its walls. (The house and the Peter and Paul
Fortress, rebuilt with 40-foot-high stone walls,
still stand.) That fall, Peter's dream was
realized. At the helm of the frigate Standard,
he became the first Russian czar to sail the
Baltic.
But Peter's aspirations went
further. He no longer wanted just a fort or a wharf.
He wanted a city. It would stand far removed from
the intrigues of the priests and nobles in Moscow
and serve as a laboratory for his grand vision of a
modern, scientific, European-style state. "It
is an age of gold in which we are living,"
Peter wrote to Prince Alexander Menshikov, his
second in command. "Without loss of a single
instant, we devote all our energies to work."
Work he did, like a demon. If Peter had been a CEO,
he would have been the world's worst
micromanager, sketching his ideas for buildings and
dictating details down to the types of flowers for
the new city's gardens. But Peter had the good
fortune to be an absolute monarch, with a treasury
that almost matched his visions.
He also seems
to have had an instinct for hiring the right help.
Domenico Trezzini, an Italian-Swiss who had designed
a palace for the king of Denmark, signed on as
Peter's master of building, construction, and
fortification just a month before the founding of
St. Petersburg. Even as the laborers were struggling
to build foundations for the fort in the muck of
Hare Island, Trezzini was supervising construction
of a small church within the fort. His later efforts
were far grander, including the Alexander Nevsky
Monastery, Peter's Summer Palace, and the
Cathedral of St. Peter and St. Paul, which holds the
tombs of most Russian monarchs. Trezzini's
work, which combined the serene, almost austere
designs then popular in northern Europe with
graceful Baroque detailing, set the tone for the
"northern Baroque" style that epitomizes
St. Petersburg.
Building a city from the ground
up also requires labor, a lot of it. Anyone who has
waited in vain for the drywall guy to show up might
envy Peter's method for acquiring workmen. He
simply ordered them by fiat. "From all parts of
his empire an unhappy stream of humanity--Cossacks,
Siberians, Tatars, Finns--flowed into St.
Petersburg," wrote historian Robert Massie. Two
shifts of workers, 15,000 each, were ordered for the
summer of 1706. The conscripts were promised a
travel stipend and six months' wages. After
that they could return home--if they survived. They
spent nights in rough shacks and long days digging
canals like those Peter had loved in Holland or
pounding in 16-foot oak foundation pilings. Many
succumbed to scurvy, dysentery, or malaria. At least
25,000 perished, giving Petersburg the label "a
city built on bones."
Peter made up for the
site's lack of building materials by ordering
all arriving wagons and ships to bring building
stones with them. The nascent city also needed
inhabitants. There again, Peter simply ordered them
up. In March 1708, he commanded hundreds of noblemen
and wealthy merchants to leave Moscow and their
comfy country estates and join him in the north.
Peter dictated the size of the houses they were to
build, with a nobleman owning more than 500 serfs
obliged to build a two-story manse. Plans of
approved designs, drawn by Trezzini, were provided.
Wolves at the door. The nobles loathed St.
Petersburg. Food was scarce and outrageously
expensive. There was no good source of fresh water.
The hastily built wooden houses were firetraps.
(Peter's lanky form was often seen among the
fire crews, wielding an ax to stop the spread of
fire by demolishing nearby houses.) There were no
bridges across the swift-flowing Neva; noblemen
returning from receptions drowned when the small
sailboats that Peter deemed proper capsized. And
even the adamantine will of the czar couldn't
keep nature at bay. The Neva flooded regularly,
sweeping the new trees and flowers from Peter's
beloved Summer Garden and sending the city's
inhabitants clambering onto their roofs. In winter,
hungry wolves prowled. In 1715, the creatures
devoured a woman in broad daylight on Vasilevsky
Island. "Petersburg will not endure after our
time," declared Peter's half-sister Maria,
one of the city's unhappy involuntary
colonists. "May it remain a desert."
When Peter died there in 1725 the city was still
rough hewn. But it flourished under his successors,
notably Catherine the Great, who assembled much of
the extraordinary art collection in the Hermitage
Museum in the Winter Palace. Petersburg became
achingly lovely, the haven and inspiration for
generations of poets, painters, and musicians.
The city's 300th anniversary this year has
prompted a much-needed renovation effort, with
government, private firms, and foreign organizations
sprucing up dozens of historical sites and upgrading
basic necessities, like the heating and plumbing in
the Hermitage. But the city needs more than a
face-lift. Many of Petersburg's Soviet-era
factories are shuttered, and Moscow far outstrips it
in political and economic clout. Debate now rages
over whether Petersburg should pin its hopes on
increased tourism or on small businesses and
"creative industries" such as
architecture, film and video, and publishing.
It's an argument that Czar Peter no doubt would
have loved to have heard--and would have settled
himself.
DRAWING BOARD
CUTTING-EDGE
CITY
Before inventing the safety razor, King
Camp Gillette envisioned an ideal city in his 1894
book, The Human Drift. "Metropolis"
would house most of the country's population in
24,000 close-packed skyscrapers, contain vast public
gardens, and run on the natural power of nearby
Niagara Falls. Gillette reasoned that if mankind
were perfectly organized in such a place, crime and
strife would disappear. -David Grimm