Play that Monkey Music

Tunes inspired by tamarin calls seem to alter the primates’ emotions

Posted: September 2, 2009

Cotton Top Tamarin monkey, one of the smallest primates in the world, currently under threat by forest flooding and hydroelectric projects.

Cotton Top Tamarin monkey, one of the smallest primates in the world, currently under threat by forest flooding and hydroelectric projects.

By Jenny Lauren Lee, Science News

When people play their funky music for cotton-top tamarins, the monkeys hardly get their groove on. But playing monkey music does the trick. Cello music that mimics tamarin calls seems to bring forth the same sort of emotions in the monkeys that the original calls would have elicited, researchers report online September 1 in Biology Letters

People from many different cultures respond similarly to certain musical characteristics, such as inflection and pitch, says coauthor Charles Snowdon of the University of Wisconsin-Madison. “But we shouldn’t expect other species to process it in the same way.” He and coauthor David Teie of the University of Maryland School of Music in College Park wanted to know whether monkeys’ emotional states could be manipulated by music the way people’s emotions are.

Teie, a composer and cellist, used traits from calls that tamarins made in response to both stressful and calming situations to create a series of original compositions designed especially for monkeys, using cello and voice. 

After listening to a 30-second clip inspired by contented vocalizations, the tamarins acted calmer and more social than usual, grooming each other more and eating more. Threatening music, full of ch-ch-ch noises and short staccato notes on the cello, made for anxious monkeys. In this case, the tamarins moved around from perch to perch and urinated more frequently than usual. 

“I think it’s a very creative approach,” says cognitive biologist Tecumseh Fitch of the University of Vienna in Austria. “It’s unusual to have a composer and scientist interact like this.”

Snowdon says even the music that made the monkeys content is not pleasant to the human ear. The tamarin calls are higher pitched than human voices and use faster tempos. Likewise the authors report that the monkeys showed no response to samples of human music, except for an unexpected ‘calm’ reaction to a rousing piece by the heavy-metal band Metallica.

Even though it sounds different, the music tamarins and people find relaxing or stressful shares some common core elements. Long legato notes and certain jumps in pitch, such as the jump from do to mi in the do-re-mi of Western music, are calming sounds for both the monkeys and people. Clashing chords and short staccato bursts seem to have menacing associations. 

Snowdon says these similarities suggest that tamarins and people may share evolutionary roots for music. But neuroscientist Joshua McDermott of New York University says further studies would be necessary to make that claim.

“Although I don't see that these initial results tell us a whole lot about the origins of human music, I think there are extensions of [the study] that could,” McDermott says. He also says he would like to see the researchers use a more objective measure of the monkeys’ stress—for example, levels of the hormone cortisol.

The suggestion that tamarins rock to a different tune than people do could help improve the quality of life for captive monkeys, Snowdon says. Zoos and labs that play human music to try to keep animals’ minds active might not be doing them a favor. 

“If our music is as irritating to monkeys as monkey music is to me, it’s probably not a good idea for captive facilities to turn on the radio,” Snowdon says.

On music-memory-emotion

Music Is An Inherited Plus Paloved Trait

A. "Play that monkey music"

http://www.sciencenews.org/view/generic/id/46942/title/Play_that_monkey_music

Man-made music inspired by tamarin calls seems to alter the primates’ emotions, a new study suggests.

B. Music is both an inherited plus a Pavloved trait, characteristic

Hearing plus memory are evolutionarily culturally selected for survival. Their combinations are both consequences of remembered emotions and - via a natural Pavlovian process - also inspirators of emotions.

C. Also "Why Music Touches Us", Nov 2005

http://www.nature.com/news/2007/071210/full/news.2007.359.html

My conjecture about music 'touching-moving' us:

Music is a human cultural-artifactual elaboration of creatures' vocal communication which is an extension-elaboration of >24 wks-old in-womb fetus' and of newborns' intimate safe-coddle-sooth experiences. Both 'touch' and 'hear' senses are founded on mechanical sensing processes involving in-cell ions leakage forming electrical action potentials interpreted neurologically.

I suggest-conjecture that the same neurological constellation may be handling both 'touch' and 'hear' senses, being of commom mechanisms and differing essentially only in switch-on modes, and that this evolves in all vocal creatures in conjunction with in-womb safe-feeling, and later with baby codling-handling and vocal soothing-communicating, and later also with intimate emotional implications. Hence music has 'engulfing-touching-emotional' connotation and personal music orientation has childhood-ethnic rootings.

D. IMO a proper elucidation of music-memory-emotion complex in unavoidably long,

since it should extend from fetal through adolescennt phases.

Dov Henis

(Comments From The 22nd Century)

Updated Life's Manifest May 2009

http://www.the-scientist.com/community/posts/list/140/122.page#2321

EVOLUTION Beyond Darwin 200

http://www.the-scientist.com/community/posts/list/100/122.page#1407

Dov Henis @ Sep 08, 2009 04:30:15 AM

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