The Newsroom Recap: Will We Still Love News Night Tomorrow?

Will and Mackenzie's News Night 2.0 experiment comes crashing down, can The Newsroom team rise from the ashes?


As The Newsroom nears its first season finale, it remains unclear if Will McAvoy and Mackenzie McHale will be able to pull of their quixotic mission to transform television news. The "News Night 2.0" experiment has come crashing down—"We hate what we are doing," Mac admits—with the team catering to the sensationalism of the Anthony Weiner and Casey Anthony scandals to retain ratings big enough to secure a Republican debate.

"Do a little wrong, to do a big right," Don later justifies the strategy, as the team is hoping that their new debate format will forever change the way presidential candidates are vetted. "Blackout Part II: The Mock Debate" picks up where last week's episode left off, as Mac interprets a studio-wide power outage as a sign from God that it is time to get her show back on track. Her impassioned rallying cry gets interrupted when the electricity turns back on, and it's moral-compromise-as-usual at the ACN headquarters.

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It's also romance-geometry-as-usual on Sunday's episode, with the Mac-Will-Brian the print journalist love triangle challenging the Don-Maggie-Jim-Lisa love parallelogram for the most frustrating abuse of personal/professional norms. Will keeps Brian around to work on his story—despite the fact that News Night is operating far below its normal standards—and Brian uses the opportunity to torture Mac about the ugly turn their relationship took.

Meanwhile, Will covers for Don, who is receiving flowers from other women he says he dated in between break ups with Maggie. "You remember when I didn't care at all about the lives of the people who worked here?...Those were the days," Will complains, showing at least some character development over the season-long arc.

[See a collection of political cartoons on the 2012 GOP hopefuls.]

Their pitch to the Republican National Committee for a new format debate approaches, and News Night must up the ante in its Casey Anthony coverage. Maggie and Jim convince Lisa, who went to school with young mother accused of killing her child, to appear on the show, even though Lisa (of all people) is the voice of reason about how despicable the broadcast is becoming.

To turn lemons into responsible journalism, Maggie feeds Lisa statistics about missing children so she can take a more substantive angle on the trial during her News Night appearance. Her interview with Will devolves into a discussion about abortion—something no one wants. And hours later, the high-end designer clothing store where Lisa works is vandalized by pro-life extremists who, lacking creativity, graffiti "baby killer" on its doors.

But all this spray paint and "journalism malpractice," as Sloan calls it, proves for naught, making News Night's mission appear both tragic and naive. A Good Cop/Bad Cop duo from the RNC come to ACN's studio to work out the terms of the debate (Good Cop worked with Will in the White House, Will confuses Bad Cop with a Brady Bunch character). Bad Cop is insulted by News Night's proposal for a new debate formula in which Will can press candidates to explain their more controversial views. "I am not allowing the god damn press to make fools out of our candidates," he says, storming out of the meeting, while the Good Cop laments that while News Night's staff has a good idea, it will never fly with the RNC.

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Maggie aptly expresses the frustration that ties into the show's larger agenda: "If every network said, 'We're not playing by your rules, you're playing by ours,' we would raise the level of debate overnight." Aaron Sorkin deserves some props on shedding light on the relationships between political staffers and journalists across many mediums; a recent New York Times story discussed the practice of political campaigns editing their own quotes, which brought up a similar point across the media criticism blogosphere. Discussing the episode in E-mail and over the phone, Jessica Stuart, who has worked in various cable and network newsrooms over the course a 15-year production career, noted that many of the aspects of Sunday's episode reflected what goes on in major network newsrooms across the country.