Risky Business

Indie 103.1: Has Radio Run Its Course?

By Matthew Bandyk

Posted: January 15, 2009

Speaking of dying media, many Southern California residents were saddened to learn that Indie 103.1, a long-running radio station known for playing the edgy music that "corporate" stations wouldn't touch, is ceasing to broadcast today. Indie 103.1 had came under criticism for watering down its playlists in recent years to compete with rivals like KROQ, and it seems, based on a farewell message at the Indie 103.1 website, that the station's management did not like that direction either.

Former Indie 103.1 host Chris Morris writes on an LA Times blog about why this is a "very sad" day:

For most of its existence, Indie 103.1 advanced a style of radio in its specialty programming that hadn’t been seen in a major radio market for eons. What was heard on the air was a reflection of the individual jocks’ tastes and passions. The amount of liberty I enjoyed was unbelievable. It was a throwback to the free-form style I grew up with, which held sway briefly in pre-“album oriented” radio in the ’70s; the maverick early KROQ flashed the same gunslinging approach.

In reading that paragraph, I was struck by how much I used to hear that same sentiment over and over again. In the late 90s and the early part of this decade, it seemed like everyone was talking about how the evils of media consolidation were destroying the quality of radio. The message was perhaps best summed up in a 2002 album by Tom Petty and the Heartbreakers, The Last DJ. In the title track, Petty's lyrics sound a lot like what Morris writes: "There goes the last DJ/Who plays what he wants to play/And says what he wants to say.../There goes your freedom of choice/There goes the last human voice..."

For many of these media activists, the solution was not to develop alternatives to this ailing format, but to bring in government regulation to save radio as we once knew it. The media conglomerate Clear Channel became the nemesis of activists like Ralph Nader, who tried to get the FCC to pull many of the licenses of the 1,200 radio stations Clear Channel owned, and also called for stricter rules on the number of media outlets one company can own in one media market.

So why don't we hear these complaints that much anymore? As much as I love ya Tom, you were wrong! We haven't lost our freedom of choice--it has grown immensely! There is probably no better day than today for someone interested in broadcasting. There's a simple reason: the market responded to the demand of dissatisfied radio listeners, and new technologies provided alternatives. Satellite radio gives you more dial choices than terrestrial radio in any city in the world.  But more significantly, podcasting has turned anyone into a DJ.

Sure enough, the people behind Indie 103.1 are hip to these trends. They will soon be relaunching as an Internet-only radio station, Indie Online. With new products that let you listen to podcasts in your car, it might not be long before you replace the babble of the morning DJ during your commute with an almost infinite number of choices of online broadcasts.

The death of Indie 103.1 is not necessarily unfortunate at all. If its new online presence is able to stick around, Indie Online might be a perfect example of how the entrepreneurial process of destruction and creation is changing media for the better.

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video killed the radio star.

if you look at the way the music industry has gone over the past 28-29 years now (some of you are too young to remember this obviously), you'll notice that when MTV first went on air, you still had bands that were actually TALENTED, COULD PLAY THEIR INSTRUMENTS and their music had definite SUBSTANCE. now, you don't even have to be able to sing. as long as you look hot enough for some guy or girl to jerk off over, that's all you need. we have auto-tune and drumagog (or even worse, drum machines that sound just like live drums) to "fake" that talent. shocked? don't be. listen to your favourite pop song now, then listen to an old stevie wonder track (any track up to 1975). tell me which one actually moves you, fills you with emotions and possibly inspires you. my money is on the old stevie track.

with all that said, to me, this is nothing more than social engineering. i mean, let's face it...how many spanish and top 40 stations does a large city need? i can actually count...on ONE HAND how many rock/alternative stations exist...

let's see...

you have KLOS (95.5), KROQ (106.7), 93.1 (JACK-FM) and KXLU (88.9) (this one plays basically everything from classical to some obscure rock stuff....neat station). let me know if i've left any out here.

i believe there's one or two classical stations, maybe one country station (KZLA is no longer)...

everything else, top 40 and spanish (and i can't even count how many of those stations exist on both feet and hands...). do you see a trend here?

there used to be good stations back in the day. KROQ was good, you had KMET (before it became the wave...which i'm sure soon enough will change formats AGAIN to either Top 40 or spanish), Pirate Radio, KNAC and of course, Indie 103.1.

now granted, KNAC and Indioe live on via the internet...but it's not the same as tuning in on your radio dial and hearing anything from Death Cab for Cutie to Sepultura blaring thru your car's speakers. sure, you can PAY ADDITIONAL MONEY and get satellite radio (or i believe some newer car decks actually get 'net stations. sound quality is horrible though), but radio for the masses was solely meant to be a means of semi-free communication (commercials are how radio stations are supposed to make money to pay the DJs and staff) to bring music freely to the general public in a general area.

when radio started, there weren't such things as Demographics or Formats. it was all based on what the DJ felt like playing. that's how it should be still...

perhaps orwell was right.

James of NV @ Apr 19, 2009 21:49:52 PM

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Risky Business

Risky Business

Matt Bandyk, a reporter for U.S. News, explores capitalism from where it all begins, with the entrepreneur, whose risk taking and experimentation provide the roots from which the rest of the economy grows. As much courage as it takes to create one's own business, even the entrepreneur needs some help, and this blog will look at news, trends, and practical advice for starting and running a small business.

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